-40%

Guanzi in A key, Chinese duduk, double reeds, concertmaster wind

$ 52.27

Availability: 100 in stock
  • Return shipping will be paid by: Buyer
  • Body Material: Wood
  • Refund will be given as: Money back or replacement (buyer's choice)
  • MPN: Does Not Apply
  • Country/Region of Manufacture: China
  • Instrument: Double reed wind
  • Country of Manufacture: China
  • Condition: New
  • Model: GA1203
  • All returns accepted: Returns Accepted
  • Brand: Li's Wind
  • Key: A
  • Restocking Fee: No
  • Experience Level: All
  • Item must be returned within: 30 Days
  • Set Includes: Reed

    Description

    Product Information:
    Materials: Black sandalwood.
    Maker: Li's Wind, the indicated maker by Professor Hu Zhihou of Central Conservatory of Music, China.
    Grade: concert master double reeds wind, approved by well-known musicians.
    Key: A key base double wind
    Natural scales: e1, #f1, #g1,a1, b1, #c2, d2, e2, #f2, #g2, a2, b2, #c2, d2, e2
    Reeds: Double reeds, it's ready to play*.
    Dimension: Length 8 5/8 inches (22cm)
    Weight: 9oz (0.255KG) with soft bag.
    One
    free reeds
    is within the package.
    Shipping: 1 day shipping in the US, please check
    Shipping and Payments
    to other countries.  Shipping in 24 hours in business days.  We accept all major credit cards, PayPal is perfect.
    *
    Before playing the guanzi, you need to wet the reeds about 1 minute, it's similar as oboe.
    An Introduction to the Guanzi
    :
    (from
    www.melodyofchina.com
    )
    The instrument, originally from Kuche in Central Asia, was once under the name of
    bili
    and is now popularly called
    guanzi.
    Its deep and plaintive tone has given the instrument another name
    bili
    , which means the "sad oboe". The Tang poet BAI Juyi (772-846) wrote about its great effectiveness:
    Frost moon shines high on the wall of Runzhou,
    Such a night inspires the sound of oboe.
    In the hills and rivers motionless all become quiet,
    Fish are motionless and monkeys cry.
    During the Sui and Tang period (581-907) the
    bili
    was adopted commonly in court orchestras. In the music-teaching institute of the Song dynasty (960-1279) a section for the
    bili
    was set up. Because of its frequent leading position in the orchestra, it was also termed as
    touguan
    (the principal instrument). The type used in the folk music after the Song dynasty was mostly made of bamboo, and later of red sandal, and bound with metal rings or tin hoops on booth ends.
    The instrument is suitable for a stirring or tragic mood, able to create a strong local flavour.